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Music is the beautiful communication of vibrations in space, as perceived by our ears and interpreted by our brains, and the ultimate aural expression of our existential experience of life. In the words of E.T.A. Hoffman, “Music discloses to man an unknown realm, a world in which he leaves behind him all definite feelings to surrender himself to an inexpressible longing.”

More and more musicians are choosing to build their own home studios and go it alone these days, as opposed to spending their money on only a few days in a professional studio per year or even less. And that’s great! More agency and self-sufficiency means more time spent honing one’s craft and exploring musical boundaries.

The problem is many of us don’t really think that way. My personal musical goal right now is to play piano like Errol Garner. How the heck do you start on that journey? Well, it begins with a process of breaking things down into smaller and smaller steps until you wind up with something that can be realistically accomplished in a practice session (or a few).

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When Houston’s song focuses on notes 1, 3, and 5, it’s focusing on the notes that rank highest in what music theorists call the “tonal hierarchy.” Hughes describes it as such: “The tonal hierarchy is this idea that certain notes are sort of more important than others.” In the major key, we generally talk about four levels of note importance.

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With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.

Prechoruses can either be repeated before each chorus (and used occasionally as a bridge) or they can be taken out after they are used the first time. Either works just fine, as long as you build your song around its use with intention. The prechorus is an important tool for writers to test out in order to tie any loose ends together, or add new melodic hooks in to beef the song’s singability up. Definitely take the time to experiment with this form.

All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Share your goals with us and we’ll find a course for you, or create a custom mentorship session with a pro musician, engineer, educator, or music industry veteran, to help you achieve them. 

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When you pluck a guitar string, it vibrates to and fro. You can tell how fast the string is vibrating by listening to the pitch it produces. Shorter strings vibrate faster, and make higher pitches. Longer strings vibrate slower, and make lower pitches. The scientific term for the rate at which the string vibrates is its frequency. You measure frequency in hertz (Hz), otherwise known as vibrations per second. The standard tuning pitch, A440, is the pitch you get when your guitar string vibrates to and fro 440 times per second.

From a t-shirt and jeans with a stencil type design to full stage costumes, masks, and wigs with branded graphics, here’s why your band’s visuals matter.

For my first serious remix, I thought I would take on Childish Gambino’s “This Is America.” I have the a cappella and the instrumental, and it feels like a timely song. I put the instrumental on one deck and the a cappella on the other, and did my best to improvise a mix in real time.

“Mahea was exceptionally patient in helping me finish the course, given unexpected travel during the course time frame. The level of passion and professionalism is top notch, and Mahea was fun to work with.”

A quick YouTube search shows that there are hundreds of thousands of chiptune covers, ranging from meticulous recreations coming from actual consoles to basic MIDI files loaded up in a modern DAW and run through simple “8-bit” plugins.