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For a descending perfect fourth, look no further than the traditional “I’ve Been Working on the Railroad,” as the lyrics “I’ve” and “been” at 0:00 feature this interval.

Filippo Faustini is a guitarist and producer based in London. He graduated in Modern Guitar at the Conservatoire in Frosinone (Italy) and then he completed an MA in Composition for Moving Images at City University (London). He is the guitarist and producer for the London-based alt rock/ambient band, Alice in the Cruel Sea. Filippo is also the co-founder of a recently formed music production company called Music Brewery where he works as producer and mixing engineer. 

Magnéto is a Montréal-based radio production agency currently working alongside Radio Canada and independently to create a platform for Québécois podcasts.

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And don’t these eight-bar intros and outros feel pretty long for a two-and-a-half minute song? There also seems to be a massive trend toward the extinction of song buttons — buttons are where you end the song on just one note, almost always the tonic, right after the last chord progression. If you want to know why that’s disappearing, I’ll give you a hint: it starts with “L” and ends with “oop-based-music-production.”

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+ Learn the ins and outs of pro songwriting with Soundfly’s variety of mentored online courses, such as The New Songwriter’s Workshop, Songwriting for Producers, and Unlocking the Emotional Power of Chords.

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Looking to build confidence and muscle memory when playing the guitar? Look no further! These practice tips will help you gain dexterity and fluidity fast.

Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.

Producers today make as many compositional decisions as entire songwriting teams of yore. How does this affect publishing? Hint: it could use a rethink.